Biography
Manfred Eisenbeis studied art and design in Ulm and Munich. Study
of philosophy, sociology, history of art and communication sciences
in Tübingen and Paris. 1968-76 initial member, research and teachings
at the Institute for the Environmental Design, Paris; 1976-89 professor
at the Academy of Art Offenburg, research in the areas film, video,
interactive media as well as aesthetics, new media and museum; since
1989 founding rector and professor for visual communication Kunsthochschule
für Medien, Cologne.
http://www.uni-koeln.de/themen/multimedia/texte/fb97/017.htm
http://www.khm.de/projects/im_ss96/19_06.html
http://www.hnf.de/termine/tagung/euphorie-digital/
programm/eisenbeis.html
Designing the museum of the future ·
Theses on the virtual dimension of museum
development in the context of media culture
Since the middle of the 19th century, the development of new media
- starting with photography - stimulated and influenced the activities
of museums. The methods of scientific inquiry, restoration and presentation
changed constantly and situated the unique institutional framework
of museums and its development in an accelerating process of cultural
change.
In that process, more and more stimulated by information and communication
technologies and concepts like information or knowledge society,
the transformation of the structure and function of museums are
discussed in relationship with new methods and forms of artistic
creation.
The contemporary pertinence of thinkers like Valéry, Benjamin
and Malraux as precursors to the ongoing discussion and experimental
exploration of virtual museums should be taken in consideration
to give a real dimension to the time factor in cultural change -
beyond the aspect of technological feasability. It seems that museums
will be confirmed as locally as well as globally relevant institutions,
but with an extended spectrum of activities and interactions based
on digital multimedia technology and networks. Museology as well
as museography therefore need new approaches and design concepts
integrating the material and immaterial components of the developments.
The paper will introduce a typology of hybrid and virtual forms
of museums and develop - for further discussion - some theses on
the structure and function of museums in the context of Media Culture.